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2006
Sonic Explorations: On the Analysis of Intercultural Experimentalism
Paper presented at the 2006 Annual Meeting of the Society for Ethnomusicology, Honolulu, Hawai'i. pdf

2005
Politics, Freedom and Improvisation in Hans Werner Henze's "El Cimarron"
Research paper, Wesleyan University.

2004
Maya: An Intercultural Musical Collaboration
Research paper, Wesleyan University.

"This is an American Music": Aesthetics, Music and Visual Art of Bill Dixon.
M.A. Thesis, Wesleyan University.

2003
Eddie Gale's Ghetto Music: Testifying for the Neighborhood.
Liner notes for Four Men with Beards vinyl reissue of Eddie Gale's Ghetto Music. Blue Note BST84294. pdf

Catching up with Eddie Gale: Black Rhythm Happening and Beyond.
Liner notes for Four Men with Beards vinyl reissue of Black Rhythm Happening. Blue Note BST84320. pdf

Music reviews for Dusted Magazine.

2002
Ethnography: A Holistic Practice, or Full of Holes? Problems in the Literature on Music in West Sumatra, Indonesia.
Research paper, Wesleyan University.

John Fahey's "The Voice of the Turtle": A Surrealist Ethnographic Recording and Vessel for Personal Mythology.
Research paper, Wesleyan University.

House of Mirrors: Multitrack Recording of the Self in Improvised Music.
Research paper, Wesleyan University.

2001
Multiculturalism: Walking the Line Between Tokenism and Inclusion.
Paper presented at the Society for Ethnomusicology Midwest Conference, Cincinnatti, Ohio, May 2001.

 

Copyright © 2001-2007 Andrew Raffo Dewar.
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Page last updated March 31, 2007.